I stood in Varty Camp car park, radio in hand after answering a two-minute ETA for our guests. I was feeling exhausted. My feet were aching from walk-running around camp all morning, fitting the various puzzle pieces of planning I had been wrestling with over the last 2 weeks into place. It was about 38 degrees celsius, a sweltering breeze lashed my forehead and I was sweating. I remember thinking that this whole thing had better be worth it.

It turned out that ‘this whole thing’ was beyond worth it.

The guests in question were two gentlemen who I knew very little about but who had high hopes riding on them over the next four days of training. Stephen Segal and Richard De Gouveia were inbound (some would say coming in hot, just based on the heat wave) to share their photographic knowledge with our team of rangers, trackers and content creators.

Daniel Buys, Londolozi’s Head Ranger, will tell you that I am particularly interested in up-skilling our ranger and tracker team so that they are always on the cutting edge of the wildlife photography trends. The demand for world class photographic guiding is huge, and as someone whose job it is to be consumed by photography, I always want to make sure we’re 10 steps ahead at all times when it comes to giving our guests the very best photographic experience possible. I was over the moon when Dan announced his plan to further everyone’s photography education by bringing in some inspiration in the form of Steve and Rich. Little did I know just how inspired they would leave us as they drove out of the very same car park four days later.

What we learn with pleasure we never forget – Alfred Mercier

It is incredible how, when given the right environment, a group of unassuming people can become completely inspired. The quiet ones who normally shy away from the lime-light come forward and show their talents. This was true for the members of the team who don’t normally feature in every TWIP or photographic journal, but knew they liked photography and, more so, were open to learning whatever they could over the 4 days of training. The most rewarding part of this course was to see those photographers blossom and produce incredible images armed with more knowledge and new-found confidence in their own abilities. This, in my opinion, is attributed to two things: one being the way in which Rich and Steve took on the challenge of guiding us all through their lectures with fun, laughter and an easy way about imparting knowledge. No number of questions was too many, always open to giving of themselves to whoever was willing to learn. The other thing that made me proud was how openly and willingly the team of guides and trackers turned up, day after day. The humility the more experienced of the group showed by going right back to basics, along with the openness the less experienced showed to learning and soaking up knowledge, increased our capacity as a team to take photography at Londolozi to a new level.

BW behind the scenes

Clockwise from left: The team sit amongst their gear and listen to the teachings of Stephen Segal on the basics of photography; The view over Amy Attenborough’s shoulder as we discuss our settings early one morning out in the bush; Richard de Gouveia explains the importance of making a photograph.

To that end, we spent our time challenging ourselves to try new things. We embraced the cloudy, overcast weather and ventured out to learn how to take time-lapse footage of the moody conditions when nothing else stirred out in the bush. We all stood in one long line, both on the airstrip and in a dark clearing, learning the art of shooting the stars and painting with light. Rich acted as the drill sergeant, his voice booming through the inky blackness of the night as we all pressed our shutter buttons, waiting in the hope of capturing something  great. Our eyes were opened to the possibilities that lay before us, in that elusive spot just outside our comfort zones. A lightning storm on the horizon became less about getting back to camp, and more about learning ways in which to create a makeshift tripod, and waiting with bated breath to see if your shutter would close just as the lightning struck earth. Steve showed the ultimate commitment as he raced through the bush while we practiced our panning skills. Among the more daunting skills were the basics that were reiterated time and time again, so that we were as comfortable with them as we are with identifying the leopards and lions that roam our property. Composition, vehicle positioning and stability procedures were re-enforced. The concepts of ISO, shutter speed and aperture were drummed into us as we all shouted to one another, asking what settings each of us were using. And then, during the quiet times, there was the opportunity to tap into the emotional side to photography that we all now felt safe to explore. We spoke at length about the beauty of capturing the gesture of an animal, and how to weave a story out of the threads of the scene in front of us. Through this act of sharing knowledge, the energy amongst the team rose and did not sink again throughout the course – testament to the words of Charles Morgen that “as knowledge increases, so too does wonder deepen”.

In reflecting on this opportunity to deepen our wonder of photography, I gathered the top 6 lessons that were learned along the way, which I thought imperative to share:

  1. Know your camera. Know how to drive it like a car. Know its limits, and it’s capabilities and learn how to work around them. Don Heyneke said “I reckon I learnt the most from getting to know my camera a lot better…using in-camera presets and having more confidence in my camera’s capabilities”.
  2. Get to grips with the principles of using light and the exposure triangle. Get good at assessing the light around you and get even better at deciding what you want to do with it in order to get the shot that you had planned.
  3. Get the shot right in camera as far as possible. Playing with contrast, saturation etc in camera alleviates the need to do as much in post processing and can avoid a photo having a photoshopped look to it. That was James Tyrrell’s top tip.
  4. “You don’t take photographs, you make them”. While this quote originally belonged to Ansel Adams, I will forever hear Rich’s voice reiterating this as I plan a shot. If you can think about things early, and plan your shot as far as possible, the possibility for a phenomenal photograph is greater. Make a wish list of shots that you would love to capture. Be cognisant and aware of your surroundings all the time. That way you’ll be ready to make the photograph whenever the opportunity arises.
  5. James Souchon made me nod in agreement when he said: “You can read, learn and understand lots about all these photographic tips and tricks but you won’t develop and progress as a photographer until you actually start playing around taking pictures and trying new things yourself on your own camera. Get to know the capabilities and limits of your own camera first!”
  6. In conversation, Amy Attenborough and I agreed that the possibilities are endless when it comes to photography. You get stuck in your own photography comfort zone and it helps to blow that world right open sometimes. Knowledge does that. And inspiring people who share their knowledge with you do that too.

I also wanted to find out what Rich de Gouveia learned during his four days with us. He said: “No matter whether you are the student or the teacher, we all have the ability to learn something new and see the world a little differently. Spending time with the team at Londolozi was more that just teaching, it was exploring the natural world with amazing people who all have a drive to learn more about photography so that they, in turn, can enhance their guests’ experience as well as their own.”

I found this course incredibly inspiring; not only because of the wonder that deepened within myself for wildlife photography, but because of the wonder that I saw growing around me in others. It embodied Elliott Erwitt’s words when he said, “To me, photography is an art of observation. It’s about finding something interesting in an ordinary place… I’ve found it has little to do with the things you see and everything to do with the way you see them.”

I hope you enjoy this collection of images that we all managed to capture while wonder grew among us.

Roxy & Euce

Clockwise from left: Roxi Burrough captures the sun sinking slowly behind a cloud, and a typical bush silhouette; The Tamboti young female pauses while she feeds on a young kudu – Photograph by Euce Madonsela; Stephen Segal poses for some portrait photography practice, with Euce and Mike Sithole practicing their photography in the background – Photograph by Bennet Mathonsi.

Don & Shadrack

Clockwise from top left: Don Heyneke loves this image of the leopard’s eye just visible through the dark foliage; Shadrack Mkhabela captures the long, peering neck of a hyena, as well as a behind the scenes shot of one of the vehicles discussing settings.

Amy & Sush

Counter clockwise: The Anderson male leopard stares into our vehicle, giving Amy Attenborough a much sought after eye-level shot while we were parked downhill; Painting with light, Steve Segal jumps around in the dark as we played around with external flashes after dinner in the bush – photograph by Amy Attenborough; James Souchon plays around with zooming techniques on Rich de Gouvaie as he zooms outwards; Amy Attenborough catches Steve Segal in mid-run across the clearing

Mands 2

Top: A new perspective; sometimes getting wide instead of tight will prove fruitful. This shot shows two klipspringers jumping from rock to rock; Bottom: Movement and gesture are captured here as the Anderson male leopard stalks his way off a termite mound – Photographs by Amanda Ritchie

JT 1

James Tyrrell captured the team in action, clockwise from top left: Comparing settings; Reviewing each other’s night photography shots once shutters had closed, Supplementing beanbags for tripods; Motoring through Finfoot crossing; Photographing a Saddle-billed stork at Tsalala Pan.



James Souchon captures two very different, but equally intense stares: The Anderson male leopard in the top photo, and a Female Kudu, who was watching as the Tamboti young female fed on her calf

JT 2

From the top down: Incredible perspective showing how leopard, mother kudu and photographer all interact as one story; Elephants in the Sand River are joined by a solitary Carmine Bee-eater as it flies by; The Inyathini male cools off on a beautifully contrasting bank of mud; The stare of the kill- All photographs by James Tyrrell

Mands 3

Top: It is a tense few seconds waiting and hoping for a lightning strike to be in the desired spot. Bottom: Painting with the lights of a Landrover at midnight – Photographs by Amanda Ritchie

Mands Euce Rox

Clockwise from top left: Euce Madonsela shows the end result as he masters the perfect settings to capture a vivid sunrise; Another photograph by Euce, who used flash to bring out and isolate the vivid colours of this impala lily; Painting with light on the Londolozi airstrip – a 30 second exposure and a few torches produced this dramatic photograph, in the darkness at 10:30pm – Photograph by Amanda Ritchie; A captivating perspective of a female leopard as she stalks through the bushveld- Photograph by Roxy Burrough


Clockwise from left: The Tamboti young female drags her fresh kill into a nearby thicket. Here, the lesson was on gesture and perspective so as to tell the story of this leopard’s journey from kill site to safety; A juvenile fish eagle sits and surveys the land below it, showing how a black and white, high-key effect can bring to life an otherwise grey image on a cloudy day; We watched the Anderson male leopard watching us from a distance – Al photographs by Amanda Ritchie

JT and Mands 2

Top row: Don Heyneke, Jess MacLarty and Trevor McCall-Peat all wait patiently while their cameras do the work of capturing the stars; Capturing gesture – a hyena stays in the cool water after it’s clan members have left after an interesting interaction in the watering hole – Photographs by James Tyrrell; Middle: The Nkoveni female leopard scent marks during a morning patrol for prey – Photograph by Amanda Ritchie; Bottom: A leopard decends; The Tamboti young female leopard drags her kill past our vehicle – Photographs by James Tyrrell

It was incredibly difficult choosing these images out of the thousands that we all took over the 4 days. Keep checking our Londolozi Facebook page for the album of all the images for you to peruse.

Special thanks to Steve Segal and Rich de Gouveia for their time and inspiration, as well as Dan Buys for setting the wheels in motion for this course.

Written by Amanda Ritchie; Photographs by Amanda Ritchie, Don Heyneke, Amy Attenborough, James Tyrrell, Euce Madonsela, Shadrack Mkhabela, Roxy Burrough, Bennet Mathonsi and James Souchon

Filed under Photography Wildlife

About the Author

Amanda Ritchie

Marketing & Photography Manager

Amanda joined the Londolozi team early in 2015 & immediately took the Londolozi Studio to an exciting new level. Her unflappable work ethic & perfectionism are exemplary, & under her guidance the Studio has become one of the busiest areas on Londolozi. The ...

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